Adventure! Heroism! Friendship! The little guy overcoming overwhelming odds.
#STAR WARS FILM SERIES HOW TO#
I have a pretty good sense of what made Willow special and how to catch that lightning in a bottle one more time. If Disney would like to take a second crack at it, I’m available. It was possible, especially with Davis on board. Mostly, I’m sad that we never got the Willow that we deserved. what they thought modern audiences would want to see. They had a three season arc that we now will never get, largely because they tossed out what made Willow great in favor of. By which I mean, could have not taken my criticisms personally and instead gleaned from them some honest advice on how to improve a lackluster story-and steer it away from the CW teen romance crap that defined the first season. Amar Chadha-Patel was fantastic as Boorman, as well, but the show decided to make his character a running gag rather than give him the depth he deserved.Įven though I mostly despised this show, I find myself in mourning, wondering if maybe the creators of the show could have taken criticism to heart and crafted a better second season. She’s also one of those rare beauties that even in star-studded Hollywood stands out. Ellie Bamber is the perfect aged-up Elora, and did a great job with what she had to work with. Had the show leaned into its strengths it might have been decent.
#STAR WARS FILM SERIES MOVIE#
The show should have leaned into the blend of European fantasy and subtle Asian flavoring that made the movie distinct.īetween a boring cast of characters that took the focus away from Willow himself and didn’t focus on Elora nearly enough, Willow was doomed to fail. Despite taking place in a decidedly fantasy realm, they were wearing clothes better suited to the Australian outback. In one scene, Elora Danan encounters two woods-women chopping wood in a magical forest. While there were some cool magic effects later on in the show, and the special effects in general were fine, the costumes were so bad. Truly a mind-bogglingly awful creative decision. James Horner’s terrific, unique fantasy score for the Willow movie remains one of the best film soundtracks of all time, but Kasdan and Lucasfilm replaced this with a soundtrack almost devoid of character-and then added in a bunch of modern rock songs-just to drive home the point that they had no idea who the target audience was for this show. Did we need five characters in this age demographic when the original film was about a young father and a roguish swordfighter trying to protect a baby with the help of a pair of brownies? A bizarre mix of very modern sounding dialogue with a cast that was primarily late teen / early 20s’ and-for all its diversity-extremely uniform. Here’s a list of everything Willow got wrong: The problem? I’m not sure even most teenagers like shows that so badly misunderstand how teenagers think these days.
#STAR WARS FILM SERIES TV#
If you want to ignore both those crucial demographics and target teens with a CW-style romance, you have Willow the TV show. There’s a way to craft a story that appeals to younger kids and their parents and the blueprint is the Willow film.
The show’s tone felt directed at a teenage demographic that doesn’t exist-but fits squarely outside the demographic most interested in this kind of fantasy: Kids and their parents. Willow got off to a terrible start right out the gates.
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